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There are the odd clunky lines of dialogue (and an inevitable “I can’t feel my legs!” moment) but the on-rails pace just manages to squeeze the predetermined story arc into an epic 140 minutes. McAvoy is easygoing and amusing, while Fassbender gives a landmine of a performance that screams 007 at anybody watching – even when his accent slips. One of cinema’s sexiest on-off couples, Professor X and Magneto get just enough time to establish the central moral debate of the series without skimping on the entertainment. The director uses the Cuban Missile Crisis to give events a political tension, which, much like Singer’s previous thematic subtexts, plays off well against Charles and Erik’s uneasy truce.
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Even the formulaic training montage in the middle has an unabashed 60s vibe thanks to the stylish split-screen editing – the likes of which haven’t been seen in a comic strip movie since Ang Lee’s Hulk.įrom sleazy nightclubs to the proverbial War Room, Vaughn nails the period setting, even indulging himself in some skimpy female clothing (at one point, Rose Byrne questionably has to strip off just to blend in). Supported by some excellent CGI – the non-action VFX are… less excellent – his mutant showdowns are thrilling stuff, given a dynamic sheen by the chic production design.
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The good guys’ powers compliment each other, building bonds while also driving top-notch action sequences.Īnd boy, does Vaughn know how to shoot action. It speaks volumes for Jane Goldman’s script that First Class introduces so many fresh faces but echoes the ensemble balance that defined Singer’s original X-Men movies. The surprising part? They’re all fantastic. Trained up by the budding academic, these insecure kids form the beginning of Professor Xavier’s School for Gifted Youngsters. While Bacon goes all Bond villain planning WWIII, Charles and Erik cross paths, teaming up to recruit an army of young mutants. Now going by the name Sebastian Shaw, he’s a man who rocks hipster sideburns even harder than his old uniform. Their ringleader? Evil 1960s Kevin Bacon.
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There’s demon teleporter Azazel (Flemyng), cold-as-ice Emma Frost (Jones), and portable wind generator Riptide. Accompanied by his adopted shape-shifting sister, Raven (Lawrence), the genetics genius is approached by the CIA’s Moira McTaggert (Byrne), who comes across some nasty mutants plotting to heat up the Cold War.
Angry, sexy revenge.Ī quick jump across to 1960s Oxford and we meet the charming Charles Xavier (McAvoy), a mind-reader who mostly uses his gift in bars. Tormented by Bacon into honing his powers, Erik grows up into an angry, sexy man (Fassbender) hell bent on revenge. And cool to boot.Īs soon as young Erik (Bill Milner) discovers his metal-bending powers, Nazi Kevin Bacon appears. It’s a bold move for a prequel to Bryan Singer’s X-Men movies, to claim equal footing in the wake of Brett Ratner’s Last Stand, but X-Men: First Class is certainly bold. Now we’re revisiting that cheerful moment, shot for shot. It’s been years since we saw a small boy get separated from his mum at a Nazi concentration camp in 1944 and twist the metal gates apart out of good old, healthy rage. Watch X-Men: First Class online in the UK: Disney+ / TalkTalk TV / Apple TV (iTunes) / Prime Video (Buy/Rent) / Google Play Cast: James McAvoy, Michael Fassbender, Kevin Bacon, Jennifer Lawrence, Rose Byrne, January Jones, Nicholas Hoult
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